(I'd only recommend watching this if you are a total camera geek, skim through, you'll get the idea.) Here I show how different the Canon C300 and Canon C300mkii vary on different proflies. If you want to see proof of this, just check the video below. They didn't look close enough to use without grading. On a multi cam shoot, I put an Arri Amira, 2 x Canon C300 mkii and a Canon C300 into a monitor and flicked through them on the 709 profile. This is not just between camera manufacturers, but even between camera models. If you get a camera and point it at a colour chart, and then put that through a vectoscope, you will see that the colours and the overall tone varries widely. The problem is, each manufacturer works very hard at creating their own "look" or colour science. You would think, since all these cameras have a 709 colour profile, that you could just use that and be done with it. Sony S Log, Canon Clog or Arri LogC, REDgamma. So how can we make life easier in the edit, so the poor colourist and editors aren't wasting hours colour matching cameras, when they could be spending that time making the edit look great?ġ) Choose a REC 709 profile in each camearaĢ) Download AbleCine's camera match profile.īy far the best way of doing this is by shooting LOG profile on each camera. These days, programmes are put together with footage from an ever growing number of different cameras, and then someone has to struggle to make the cameras look similar in post.
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